Bulletins of the Serving Library #4

<p>This Issue was produced under the auspices of the research program <em>Dexter Bang Sinister</em> at Kunsthal Charlottenborg, Copenhagen, January 21 – October 28, 2012, curated by Rhea Dall. The program, devised by Angie Keefer, David Reinfurt and Stuart Bailey together with writer-critic-curator Lars Bang Larsen, was based on Lars’s just-completed PhD dissertation at the University of Copenhagen, <i>A History of Irritated Material: Psychedelic Concepts in Neo-Avantgarde Art</i>. In practice, a large part of the so-called research played out in the form of an exhibition set up to explore the notion of *black & white psychedelia*— halfway closing the doors of perception in order to get a better view.</p> <p><b> L, I, F, E</b><br /> Rob Giampietro</p> <p><b> GIRAFFE AND ANTI-GIRAFFE</b><br /> Lars Bang Larsen</p> <p><b> NNNNNNWAHHHHH!</b><br /> Lars Bang Larsen</p> <p><b> GOOD SHIT</b><br /> Dexter Bang Sinister</p> <p><b>JAN 21 – OCT 28, 2012</b><br /> Lars Bang Larsen</p> <p><b>STATION TO STATION</b><br /> Rhea Dall and Charlotte Johannesson</p> <p><b> ZABRISKIE POINT REVISITED</b><br /> Diedrich Diederichsen</p> <p><b> CAN?—!</b><br /> Jan Verwoert and Malcolm Mooney</p> <p><b> ACID PANTONE 274U</b><br /> Albert Angelo</p> <p><b> TIE-DYE IN MY ARM</b><br /> Mark Beasley</p> <p><b> BLACK & WHITE PSYCHEDELIA</b><br /> Dexter Bang Sinister</p> <p><b> DAVID BOWIE</b><br /> The Digital Theatre</p> <p><b> FIVE FATHOMS</b><br /> Francis McKee</p> <p><b> A LETTER</b><br /> Hollis Frampton</p>