DWINDLEMAINTAIN: The 58th International Art Exhibition of La Biennale di Venezia

<p>The question posed by this column (which single work of a mega exhibition may capture best its overall idea?) is particularly challenging for the Venice Biennial – not just because of the urge to not comply with the lion share of visibility/capital and to not take sides for any of the by now more nostalgically embraced rather than officially dubious nationalist propaganda. The challenge, according to curator and critic Julia Moritz, is to look at the international group exhibition from a point of no return, the point of view of the one work – not necessarily the best work – that captures the exhibition <em>May You Live in Interesting Times</em> most poignantly, regarding its response to the location and context, for whatever that’s worth.</p>

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Brand-New-Life

Part of: Brand-New-Life Magazine

ISBN: 22979220

ISSN: 2297-9220

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