e-flux Journal #133

<p>In the first <em>e-flux journal</em> issue of 2023, the Ukranian researcher and curator Kateryna Iakovlenko points our eyes at images of forests. The first is from the site of a mass grave outside Izium, a city on the Donets River in eastern Ukraine. The bodies were gone by the time the photo was taken; instead, the photographer shows medics and the surrounding woods. Another is a nineteenth-century photograph of a forest in Tasmania picturing lush trees, which on close examination conceal colonizing British officers. A more recent Instagram photograph shows a feminist Ukrainian Army volunteer living, with others, among the trees they are protecting. A final photo was captured by an occupying Russian Federation soldier’s camera moments before his death outside Izium’s woods. His body remains out of view; his unambiguous vantage point of the exploded forest landscape remains…</p> <p><strong>Editorial</strong><br /> Editors</p> <p><strong>Exactly That Body: Images Against Oppression</strong><br /> Kateryna Iakovlenko</p> <p><strong>The Noah Complex</strong><br /> Jörg Heiser</p> <p><strong>Hyper-Semiotization and De-Sexualization of Desire: On Félix Guattari</strong><br /> Franco “Bifo” Berardi</p> <p><strong>We Too Were Modern, Part I: Of Brazilian Autophagic Flowers and Navigators</strong><br /> Thotti</p> <p><strong>Luck, Statecraft, and Withdrawal: Video Criticism in Southeast Asia</strong><br /> Serubiri Moses</p> <p><strong>Eat the Camera, Feed the Screen</strong><br /> Beny Wagner</p> <p><strong>Operational Images: Between Light and Data</strong><br /> Jussi Parikka</p>

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e-flux

Part of: e-flux journal

ISSN: 21641625

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