The Political Potential of Curatorial Practise
<p>Can curating make a change? And if so: how? As a result of the expanding market for contemporary art, the upsurge of biennials, art fairs and large group exhibitions, and the construction of numerous new museums for contemporary art during the 1990s, the role of the curator has undergone profound changes. From being a marginal character working within the confines of the museum, the curator has come to inhabit a freer and more centralized position within the artworld at large…</p>
Publisher: Dorothee Richter
Editors: Gerd Elise Mørland, Heidi Bale Amundsen
Contributors: Gerd Elise Mørland, Heidi Bale Amundsen, Mary Anne Staniszewski, Simon Sheik, Paul O’Neill, Carolyn Christov-Bakargiev
Proofreader: Megan Hall
Designer: Michel Fernández, Megan Hall
Part of: OnCurating
ISSN: 2673-2904